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Inspired by, and dedicated to, Grumplestiltskin
Mysterious Word-Smyth-Wizard: Arthur Macey

This is a dead end experiment in "parallel-universe-post-quantum-back-action" that never really got off the ground. It all goes back to an ancient beginning to this most recent of weekends, whereupon I borrowed my "unstuck-in-time" friend's timeship, that is itself borrowed from "The Greater Mystery". (Don't ask).

The timeship is about "52' feet in diameter and gun metal grey on the outside with no door." According to my friend: in "'barrier systems' it is surrounded by a drone computer ship about 1 1/2 miles long." I haven't the slightest idea what that means, so I just had to take it on faith that the thing would navigate thru the various "Light-Mach jumps" intact. My strange friend says that we live in a 23 Light Mach system, but to access other dimensions all one has to do is increase or decrease one's own resonant spin. Allegedly, this ship does all that automatically, (or so I was told). OKAYyyy...

Anyway, I ended up in 200 BC! Weird. Had to ask directions of this really old, grey, long-haired, desert-magus-madman type of character. Said his name was "Enoch". The computer had this on him:

'Enoch', so-called 'seventh master of the world', mythic
equivalent of Phoenician Cadmus, Greek Hermes, Egyptian
Thoth, Quetzalcoatl of Mesoamerican myth..."

Enoch is thought to have penned the Kabbalah, Tarot
and, natch' the "Book of Enoch", wherein is described
a supposed account of his visit to the "Dark Palace"*
(see below).     !?!?!?!?!?!?!?!?!?!?!?!?!?!?!?

So, great! I figured this would be a good guy to get me out of there, especially when he was describing all these cold fires, black flames and other weird stuff from his apocalyptic visions that he just kept rambling on and on about; I sorta inferred that he was talking about little light-emitting diodes and electronic devices - things not in his usual frame of reference, which he would have to approximate in his wacked-out scholar's, desert-nomadic, socialized semantics way. Sure, I could flow with that.

Anyway, my big time stupid error was in bringing him back with me. The old dude is VERY senile, and he completely freaked out over the entire indoor plumbing system. You would not believe it; especially the bathroom! When he found out that we urinate and defecate in water wells, he lost it. He thinks he's in Hell. It's understandable. Here's a guy who has spent his entire life in the desert -- you just don't piss in the water supply, ok? They tend to cut your head off for stuff like that. Anyway, his senility was too much for me, so I left him in the timeship which I returned to my odd friend so he can deal with him. That was yesterday. I won't even tell you about the alchemist. (At least I got a lotta sun and exercise)

The Book of Enoch

Composit pseudepigraphic work, sometimes called
1st Enoch (unlike the 2nd -- Slavonic -- Enoch),
completely preserved only in Ethiopic (Ge'ez).
There are also two extensive fragments of the texts
in Greek found in Akhmim in 1886. In addition
several hundreds of Aramaic fragments were
discovered in Cave IV in Qumran in 1952.

This so called Book of Enoch is divisible into five
originally separate portions:

Book I (so called The Book of Watchers) Chapters 1 - 36

Introduction; contemplation of the nature;
descent of two hundreds angels to Earth --
they took human women for their wives,
begot children (giants), led mankind
astray but finally were destroyed by God;
Enoch's journeys in Heavens, Earth and

This may be the most ancient part of
the collection. Dated back to the 3rd
century B.C.

Book II (The Book of Parables) Chapters 37 - 71

Description of the days of the Last Judgement;
journey to Heaven; meeting with the Chosen One;
uncovering of all heavenly mysteries.

Dating of the book varies from the 1st half of the
first century B.C. to the end of the first century A.D.

Book III (The Astronomical Book) Chapters 72 - 82

Description of revolution of heavenly bodies that
showed Uriel the angel to Enoch.

Qumran fragments of this text are dated to the end
of the 3rd of the beginning of the 2nd century B.C.
Existence of older Hebrew text is possible but unsure.

Book IV (The Book of Dreams) Chapters 83 - 90

Vision of destruction of Earth; vision of world
history from Adam to the first days of heavenly
Kingdom -- cattle, sheep and other animals
represent main characters and their features.

Aramaic fragments from Qumran corresponding
to this texts are dated to the third quarter of the
2nd century B.C.

Book V (The Epistle of Enoch) Chapters 91 - 108

Testament of Enoch; chapter 93:1 - 14 and
91:12 - 17 respectively -- so called
Apocalypse of the Ten Weeks describing
world history from the beginning the Last
Judgement and creation of new heavens.

Dated to the half of the 1st century BC.

It is not clear when exactly and from which sources
the Ethiopic translation was created. Most probably
both Aramaic and Greek versions were used;
influence (or even existence) of some Hebrew
vorlage was discussed but is still unclear.

* Meanwhile, in another realm of the old apocalyptic's
desert fried cranium:

"And I went in until I drew nigh to a wall which
is built of crystals and surrounded by tongues of fire,
and it began to affright me. And I went into the tongues
of fire and drew nigh to a large house which was built
of crystal.
The walls of the house were like a tesselated floor of
crystals, and its groundwork was of crystal.
Its ceiling was like the path of the stars and the
lightenings, and between them were fiery Cherubim
amidst a background of water. A blazing fire surrounded
the walls, and its portals were covered with fire.
And I entered into that house, and it was as hot as
fire yet as cold as ice. [Note: Light Emitting Diodes,
LEDs?] There were no delights of life therein. Fear
covered me, and trembling gat hold of me. And I
quaked and trembled and fell down upon my face.
[Enoch's further adventures continue, following
his visit to the Dark Palace of Fiber Optics]:
...From thence I went to another place to the west of
the Earth. And I saw a burning fire which ran without
resting, and paused not from its course day or night
but blazed without respite. And I asked, saying, "What
is this flame which burns unceasingly?"Then Raguel,
one of the holy Angels who was with me, said, "This
is the Dark Fire in the West which persecutes all the
luminaries of Heaven."

Later that same day, while wandering around some foothills,
a lost timeship stops to ask directions back to the early
21st century. Enoch, dumbfounded, wets himself, but at least
manages to point a shaky finger in the correct, general vicinity.
Quicker than a blink, the local universe shrinks to a dot,
disappears and expands elsewhen. Uncomfortably humid, Enoch
thinks up a cool new book idea.

See also: The_Incantata_Vol-123.pdf (4.6MB) by Arthur Macey
See also: FORWARD INTO THE FUTURE! by Gary G. Ford
See also: Brother Blue's Enoch
See also: Acharya S' : "Anunnaki"
See also: Google's : Serpent Cult of The Dragon Queen
See also: Daniela Berghof's :: Serpent Cult of The Dragon Queen
                                                : Isis Solaris
                                                : Vishnu on Bones
See also: Gnostic Review: The Serpent Grail
See also: Cuneiform Digital Library Initiative
See also: Electronic Text Corpus of Sumerian Literature (ETCSL)
See also: STAR GATE 2007-2009
See also: "...what 'Ezekiel' saw..."
Or: N e u r o L i n k a g e

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* ADDENDUM [ Circular Reasoning of a Cosmic Psychopath ]

  0ne May Become so fixated upon the Psychopathological
Circular GRAFFITI on the Outhouse Wall, noting every
nuanced stroke of obsessive compulsive wisdom embedded
in the ink, dynamically both appearing to and created
by the observer participant, held prisoner in effect
by the Graffiti's illusory captivation of the sentient
being's awareness, that the pounding rhythms emanating
from the adjacent Roadhouse and the as yet undiscovered
kick-ass band performing within, will all be completely
missed. The monomaniacal focus on the GRAFFITI obscures
the gravel parking area between the two buildings, the
randomly arranged vehicles, and all manner of exotic
creatures wandering in the midnight air. The surrounding
mountains, the interstate highway, backroads and wider
landscapes are also imperceptible. Likewise, the larger
field of flora and fauna, and cities with extraordinary
transactions of life and death amid invisible continents,
oceans, a curving biosphere revealing a planet with a
solitary moon, circling a star, one of a hundred billion
suns illuminating the night sky, composing a gathering of
stars orbiting a galaxy, one of a hundred billion galaxies
accelerating away from each other as space/time expands.
A bubble of a universe topologically embracing a membrane,
dividing, creating, foaming, inconceivable mysterious
diversity constructing ever greater degrees of sentient
complexity, racing scattershot here and there, widely
framing an expansion of infinite eternity, waves manifesting
never before seen textures, radiating an emanation
as the whole composes a vibrating inkling, almost
superimposed, as a subatomic particle forms out of this
immensity, creating a molecular substance, dark, once fluid,
now dry, smeared caligraphically like a stroke, a line of
unimaginable text in a sentence of circularly reasoned
psychopathy; cosmic Graffiti upon another Roadhouse
equivalent of another Outhouse Wall:   More Fucking Ink?!
Evolution's a BITCH with a PEN and a CAN of SPRAY PAINT?!
                                              ©MT 22 August, 2010, 8:00 PM...

                    The Moving Finger writes; and, having writ,
              Moves on: nor all your Piety nor Wit
                    Shall lure it back to cancel half a Line,
              Nor all your Tears wash out a Word of it.

                                                  Omar Khayyam

                    I sent my Soul through the Invisible,
              Some letter of that After-life to spell:
                    And by and by my soul return'd to me,
              And answer'd "I Myself am Heav'n and Hell."

                                                  Omar Khayyam

© Late 20th Century MT
circa: late 1990s common era [CE]

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